MoMA Post: notes on art in a global context
“Articulations of the relational have been shifting in parallel with the recent turn in global contemporary art toward validating ecological and indigenous practices. This shift invites a consideration of what exactly constitutes the relational among artistic and curatorial efforts within the global contemporary. And among Southeast Asian exemplars, the multimedia practice of artist Araya Rasdjarmrearnsook (born 1957, Thailand) comes to mind as a rich prompt via which to think about the nuances, complications, or possibilities in the relational…”
May Adadol Ingawanij, ‘Araya Rasdjarmrearnsook’s Relational Tableaux’